It should be noted that I have included, in this series of photographs, images of a narrow lane that connects North Princes Street to Middle Abbey Street as well as the GPO Arcade. The laneway is named William’s Lane and while many accounts claim that it is no longer shown on maps I checked Google Maps and it is identified. And while no one appears to know why it is named William’s Lane I am suggesting the following – the name William’s Lane may well be linked to a son of King George, potentially William IV who also served as Duke of Clarence. This would align with the naming of Princes Street (discussed below). I had to visit the area a second time as some images were unusable because they showed homeless people who could be identified and that would have impacted on their right to privacy.
Princes Street North, a historic gem off O’Connell Street, offers a fascinating blend of past and present for locals and visitors alike.
Its roots trace back to Henry Moore, 3rd Earl of Drogheda, who initiated development in the northeastern part of the former St. Mary’s Abbey lands. Moore’s influence is still evident today in the names of nearby streets: Henry Street, Moore Street, and (North) Earl Street.
Originally, the street we now know as Upper O’Connell Street was called Drogheda Street. Unlike today’s bustling O’Connell Street, this street was narrower and primarily residential. The section of O’Connell Street extending to the present-day location of the Spire was part of Drogheda Street.
Luke Gardiner’s Transformation:
In the mid-18th century, Luke Gardiner acquired much of the old Moore estates in northern Dublin. Gardiner, known for developing Dublin’s first Georgian street (Henrietta Street), turned his attention to Drogheda Street. He demolished existing housing and replaced it with elegant Georgian townhouses. The street was widened to its current size, allowing for a central mall where affluent residents could promenade and display their finery.
The name changed from Drogheda Street to Sackville Mall or Sackville Street, honouring Lionel Sackville, the Duke of Dorset, who served as Lord Lieutenant of Ireland.
Princes Street North Origins
Princes Street North, situated just off O’Connell Street, has a fascinating history. It is believed to have been developed in part by the Dominick family, who played a significant role in shaping the area. [I have had difficulty confirming the Dominick family’s role] Princes Street North derives its name from the sons of King George III. Specifically, it honours the Duke of Rothesay (the title given to the heir apparent to the British throne) and the Duke of York. These royal titles were bestowed upon the sons of King George III during the late 18th century.
Freemans Journal
The office of the Freeman’s Journal was located on Princes Street North in Dublin’s city centre. During the 1916 Easter Rising, the building was heavily damaged.
Today, only one original property on Princes Street remains, preserving its historical significance
Metropole Cinema and Capitol Theatre
Metropole Cinema: Located on O’Connell Street, the Metropole Cinema opened in 1922. It was once a vibrant venue, hosting films and events. The Metropole was taken over by the Rank Organisation in the 1950s and screened popular movies like “Doctor Zhivago” and “Mary Poppins.” Unfortunately, it closed its doors in 1972.
Capitol Theatre: Originally known as the La Scala Theatre and Opera House, the Capitol Theatre stood on Prince’s Street, adjacent to the Metropole Cinema. Designed by architect T. F. McNamara, it featured a 1,900-seat auditorium with two balconies and 32 private boxes. Despite its name, La Scala was primarily a cinema. In 1927, Paramount Pictures took over the lease and renamed it the Capitol. The Capitol hosted live shows alongside film screenings. Notable Irish acts graced its stage. The last stage show occurred in 1953, and it continued as a cinema until 1972.
Demolition and Transformation: Both the Metropole Cinema and the Capitol Theatre were demolished. In their place, the British Home Stores (now occupied by Penneys) was constructed.
The GPO Arcade Is Off Princes Street North
The General Post Office was most famously the rebel stronghold in the 1916 Easter Rising. It, along with much of O’Connell Street Lower, was reduced to a burnt-out shell. The building was only cleared of debris in 1924 when the Free State government approved reconstruction plans, carried out principally by T.J. Byrne and J. Fairweather and reopened in 1929.
The GPO Arcade is an Art Deco-style shopping arcade situated at the rear of the General Post Office (GPO) complex. Accessible from both Henry Street and Princes Street North, this arcade has a unique charm that draws visitors and shoppers. The arcade was built by the Office of Public Works following the 1916 Easter Rising. Its construction aimed to enhance the GPO area and provide a covered shopping space for Dubliners. The GPO Arcade boasts an elegant design with polygonal glazed roofing. Its architecture reflects the Art Deco style prevalent during the early 20th century.
I have seen this described as startlingly morbid memorial sculpture located across the street from one of Ireland’s most infamous prisons.
“Proclamation” by Rowan Gillespie is a permanent outdoor sculpture honouring the leaders of the Easter Rising, and the authors of the Irish proclamation of Independence. It stands solemnly across the street from the notorious Kilmainham Gaol where the proclamation scribes were executed in 1916.
It features abstract and faceless bronze statues standing in a circle around a pillar, the words of their proclamation engraved into the metal. These eerily blindfolded statues each have an execution order or a verdict carved into their base, and their torsos are riddled with holes to represent where they were hit by the firing squad. Each torso has a different bullet pattern, which is one of the only varying characteristics of the figures.
These statues have no names, faces or limbs. They are meant to represent the rebel leaders who were the seven signatories on the Proclamation. There are fourteen figures in total and the other seven were donated to the piece by the artist himself in honour of the total number of executions involving the rising and in memory of his grandfather James Creed Meredith.
Rowan Gillespie is an Irish bronze casting sculptor of international renown. He was born in Dublin in 1953 and spent his formative years in Cyprus. He studied art at York School of Art, Kingston College of Art, and Kunst og Handverke Skole in Oslo. After living and exhibiting in Norway for several years, he returned to Ireland in 1977.
Gillespie is known for his figurative sculptures, which often depict historical or literary figures. His work is characterised by its expressiveness and emotional power. Some of his most famous sculptures include the Famine Memorial (1997), Titanica (2004), and Ripples of Ulysses (2008).
Gillespie is a highly skilled craftsman and works alone in his purpose-built bronze casting foundry. He is unique among bronze casting sculptors in that he does all of the moulding, casting, and finishing himself. This gives his work a distinctively personal touch.
Gillespie’s sculptures can be found in public and private collections all over the world. He has received numerous awards for his work, including the Henry Moore Award for Sculpture (1988) and the Edward James Foundation Award (1993).