CORTEN SCULPTURE OUTSIDE THE HUNT MUSEUM JUNE 2015 – NO LONGER AT THIS LOCATION
Personally I like Corten steel sculptures or works of art but when I first saw this many years ago I was not 100% sure that it was not a skip or dumpster. Back in 2015 (or maybe earlier) a gentleman, who turned out to be a scrap dealer, asked me what I thought of this and then suggested that it was “real art” unlike much that he had seen elsewhere. Also he liked the model of a horse (see below) located nearby.
Further research indicated that this featured in the 2010 EVA International and was described as a “mild steel nymphaeum”. A nymphaeum or nymphaion (Ancient Greek: νυμφαῖον), in ancient Greece and Rome, was a monument consecrated to the nymphs, especially those of springs. These monuments were originally natural grottoes, which tradition assigned as habitations to the local nymphs. They were sometimes so arranged as to furnish a supply of water, as at Pamphylian Side. A nymphaeum dedicated to a local water nymph, Coventina, was built along Hadrian’s Wall, in the northernmost reach of the Roman Empire. Subsequently, artificial grottoes took the place of natural ones.
EVA International (previously known as Limerick Exhibition of Visual Art and e v + a) is a large-scale contemporary art exhibition that takes place every two years in the city of Limerick. It is known as Ireland’s biennial, and is held in even-numbered years.
The Museum holds a personal collection donated by the Hunt family, it was originally situated in the University of Limerick, before being moved to its present location in the Georgian Custom House in 1997. The Custom House is situated on Rutland Street on the banks of the River Shannon at its confluence with the Abbey River. Among the museum’s collection are works by notable artists and designers such as Pablo Picasso, Jack B. Yeats, and Sybil Connolly as well as distinctive historical items such as the O’Dea Mitre and Crozier.
In 2011 a lifesize model of a horse, painted by young people aged 10–18 was placed outside the front of the building. This was joined by a second one in 2012. The models are made of fibreglass, and are taken inside at night. The art installation was inspired by the song Horse Outside by the group The Rubberbandits.
I have seen this described as startlingly morbid memorial sculpture located across the street from one of Ireland’s most infamous prisons.
“Proclamation” by Rowan Gillespie is a permanent outdoor sculpture honouring the leaders of the Easter Rising, and the authors of the Irish proclamation of Independence. It stands solemnly across the street from the notorious Kilmainham Gaol where the proclamation scribes were executed in 1916.
It features abstract and faceless bronze statues standing in a circle around a pillar, the words of their proclamation engraved into the metal. These eerily blindfolded statues each have an execution order or a verdict carved into their base, and their torsos are riddled with holes to represent where they were hit by the firing squad. Each torso has a different bullet pattern, which is one of the only varying characteristics of the figures.
These statues have no names, faces or limbs. They are meant to represent the rebel leaders who were the seven signatories on the Proclamation. There are fourteen figures in total and the other seven were donated to the piece by the artist himself in honour of the total number of executions involving the rising and in memory of his grandfather James Creed Meredith.
Rowan Gillespie is an Irish bronze casting sculptor of international renown. He was born in Dublin in 1953 and spent his formative years in Cyprus. He studied art at York School of Art, Kingston College of Art, and Kunst og Handverke Skole in Oslo. After living and exhibiting in Norway for several years, he returned to Ireland in 1977.
Gillespie is known for his figurative sculptures, which often depict historical or literary figures. His work is characterised by its expressiveness and emotional power. Some of his most famous sculptures include the Famine Memorial (1997), Titanica (2004), and Ripples of Ulysses (2008).
Gillespie is a highly skilled craftsman and works alone in his purpose-built bronze casting foundry. He is unique among bronze casting sculptors in that he does all of the moulding, casting, and finishing himself. This gives his work a distinctively personal touch.
Gillespie’s sculptures can be found in public and private collections all over the world. He has received numerous awards for his work, including the Henry Moore Award for Sculpture (1988) and the Edward James Foundation Award (1993).