What: A vibrant outdoor gallery featuring works by six talented artists, celebrating themes of joy and community. Where: Thomas Street, Crane Street, and Market Street in Dublin 8, showcasing large-scale murals and printed works. When: Launching March 15th, 2024, and running for three months. Why: Part of St. Patrick’s Festival 2024, bringing art, vibrancy, and a sense of community to Dublin 8 in collaboration with the Guinness Storehouse, the Digital Hub, and Dublin City Council. Curated by: Good Shout Studio, a Dublin 8-based creative agency.
Featured Artists
Claire Prouvost: A French muralist based in Dublin, Claire’s work is known for its bold, joyful characters and dynamic use of colour. She often explores themes of community, celebration, and the energy of urban life.
Sophia Vigne Welsh: Sophia creates visually striking abstract works that explore nature, colour, and the interplay of light and form. Her pieces evoke a sense of renewal and optimism.
Mark Conlan: This artist playfully reimagines Dublin’s architectural landmarks with a whimsical touch. He often blends natural elements into urban landscapes, creating a sense of wonder and connection with the city.
Ruan van Vliet: Ruan’s distinctive style features playful, cartoon-like characters with a contemporary edge. His works explore the concept of modern-day “cowboys” within the context of Dublin 8, finding unique stories within the urban landscape.
Bebhinn Eilish & Gavin Connell: This creative duo combines Bebhinn’s delicate, ethereal illustrations with Gavin’s bold, graphic style. Their work often explores themes of nature, interconnectedness, and the transformative power of art.
Gavin Connell: Gavin Connell is a 26-year-old illustrator/designer based in Dublin, Ireland. His style is made up of his main inspirations such as vintage comics, 1930’s animation, old school rave posters and contemporary illustration/character design. Graduating from NCAD in June 2018, he went straight into freelancing and working for himself. He worked closely as a junior designer with John Slade of H.Y.T Studio 2017-2018 on jobs for large brands such as Nike and Vans where he learned a lot of technical skills.
How to Experience A Better City
The gallery is designed to be enjoyed by simply walking along the designated streets. Follow the trail and discover the artworks.
JONATHAN SWIFT LIVED FOR A WHILE IN TRIM COUNTY MEATH
Jonathan Swift was born in Dublin on 30th November 1667 and was given over to a nurse to be minded in England. He did not meet his mother again until he was 21 years old, this was not unusual in those days.
The cost of his education was funded by his uncle Godwin Swift. He was educated at Kilkenny College and Trinity College, Dublin where he was awarded a B.A. in 1689. He was appointed secretary to Sir William Temple and in 1692 received an M.A. at Hart Hall, Oxford.
In 1694 having taken holy orders, he became Prebend of Kilroot, County Antrim but soon tired of that isolated life and returned to Moor Park, Surrey in 1696.
Between 1696-1699 he wrote many books and like most of his writings they were all published anonymously. Although Swift was not a native of Meath he lived for some years in the Trim area, as Vicar of Laracor, near Trim together with Agher and Rathbeggan.
His best known book popularly called “Gullivers Travels” was published in 1726. He won immense popularity when his “Drapiers Letters” foiled a plan to foist on the Irish a new debased currency “Wood’s Halfpenny” – the patent for which had been obtained by bribery. His Modest Proposal “suggested that the people should be relieved by the sale of their numerous children as food for the rich”.
Swift was one of the most commanding intellects and writers of his day. His prose is unmatched for simple strength and clarity. His satire was savage in its mockery. His letters are among the best in English literature. He died on 19 October 1745 leaving £ 8,000 in his will for a home for the insane and to this end St. Patrick’s Hospital, Dublin was built.
Swift was buried in St. Patrick’s Cathedral, Dublin.
St Patrick’s University Hospital is a teaching hospital at Kilmainham in Dublin. The building, which is bounded by Steeven’s Lane to the east, and Bow Lane West to the south, is managed by St Patrick’s Mental Health Services.
The hospital was founded with money bequeathed by the author Jonathan Swift following his death as “St. Patrick’s Hospital for Imbeciles”.
In March 1747, Dr. Steevens’ Hospital agreed to provide a small amount of land fronting Bow Lane for the purposes of building St. Patrick’s, however it was nearly three years afterwards before construction commenced, as the governors became involved in lengthy discussions over plans and architects. In considering the challenges of building such a hospital, it is important to remember that no such institution for housing lunatics had ever been built in Ireland before, and except for Bedlam in London, there was no comparable building in England either. The first step the governors agreed upon was for a high wall to be built around the site. This was achieved in 1747-8 at a cost of £146.
By 1753, the building (designed by George Semple) was completed, but the governors did not have the money to furnish it, to employ staff, or to maintain charity patients. Thus the building lay empty for another four years. On Monday 26 September 1757, the hospital finally admitted its first patients, consisting of six men and four women, referred to as ‘pauper lunaticks’ in hospital records.
In “Verses on the Death of Dr. Swift”, the poet anticipated his own death:
He gave the little Wealth he had,
To build a House for Fools and Mad: And shew’d by one satyric Touch, No Nation wanted it so much: That Kingdom he hath left his Debtor,
I wish it soon may have a Better.
Swift himself was declared of unsound mind by a Commission of Lunacy in 1742. Will Durant said of him: “He went a whole year without uttering a word.”
Richard Leeper, who was appointed Resident Medical Superintendent in 1899, introduced a series of important initiatives including providing work and leisure activities for the patients.[9] Norman Moore, who was appointed Resident Medical Superintendent in 1946, introduced occupational therapy, including crafts and farm work to the patients.
After the introduction of deinstitutionalisation in the late 1980s the hospital went into a period of decline. In 2008 the hospital announced the expansion of its outpatient services to a series of regional centres across Ireland. A mental health facility for teenagers known as the “Willow Grove Adolescent Inpatient Unit” opened at the hospital in October 2010.
In July 2011 Trim Tidy Town’s all-out effort to win big in the National Tidy Towns Competition included a number of striking murals springing up around the town. One of the most colourful was a depiction of Gulliver at the old mart, which has become quite a tourist attraction. Until a few days ago I was unaware of the 30ft long mural. The painting of Gulliver and other murals at Spicer’s wall on Watergate Street and underneath the bridge at the Maudlins roundabout are the work of professional artist Meaghan Quinn.
The mart was the venue for the weekly livestock sales for 53 years until 2004 is destined to be used for a housing development. TE Potterton has been trading as an auctioneers since 1886, operating weekly livestock sales at Castle Street in Trim from 1957 until it relocated to an open site less than a mile away on Summerhill Road in 1962. The Trim Mart was for many years one of the largest on the north east.
Following its opening in May 2023 by Minister Heather Humphreys, Solstice Arts Centre undertook the management duties of the new Swift Cultural Centre in Trim on behalf of Meath County Council. The name reflects both the importance of the acclaimed author of “Gulliver Travels” and Trim resident, Jonathan Swift (1667-1745), as well as the significance of the swift to Trim’s wildlife and urban ecosystem. The Swift Cultural Centre will collaborate and share meeting rooms and cultural spaces with Trim Library to provide a diverse and enriching community learning, engagement and performance programme for the public. Community use by local artists, societies and community groups remain the primary and core value of the space. The €9m development of the theatre and library included the refurbishment of the former St. Patrick’s Chapel for use as part of the centre. With a seating capacity of up to 235 people, Swift Cultural Centre provides a much-welcomed space for local drama, music and theatre groups.
Gulliver’s Travels, or Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships is a 1726 prose satire by the Anglo-Irish writer and clergyman Jonathan Swift, satirising both human nature and the “travellers’ tales” literary subgenre. It is Swift’s best-known full-length work and a classic of English literature. Swift claimed that he wrote Gulliver’s Travels “to vex the world rather than divert it”.
The book was an immediate success. The English dramatist John Gay remarked, “It is universally read, from the cabinet council to the nursery.” In 2015, Robert McCrum released his selection list of the 100 best novels of all time, where he called Gulliver’s Travels “a satirical masterpiece”.
GULLIVER MURAL BY MEAGHAN QUINN [AT THE OLD MART ON SUMMERHILL ROAD IN TRIM]-226406-1
GULLIVER MURAL BY MEAGHAN QUINN [AT THE OLD MART ON SUMMERHILL ROAD IN TRIM]-226408-1
GULLIVER MURAL BY MEAGHAN QUINN [AT THE OLD MART ON SUMMERHILL ROAD IN TRIM]-226409-1
GULLIVER MURAL BY MEAGHAN QUINN [AT THE OLD MART ON SUMMERHILL ROAD IN TRIM]-226410-1
GULLIVER MURAL BY MEAGHAN QUINN [AT THE OLD MART ON SUMMERHILL ROAD IN TRIM]-226411-1
GULLIVER MURAL BY MEAGHAN QUINN [AT THE OLD MART ON SUMMERHILL ROAD IN TRIM]-226407-1
Sophi Odling is an Australian artist who paints large-scale murals around the globe. Her work focuses on the beauty amongst the chaos in our everyday lives. The vivid narratives reflect human behaviours, environments, and cultures that she encounters.
Born in 1983 in Seoul, South Korea, Sophi grew up in Sydney, Australia, where she currently lives and works. In 2005 Sophi completed her BFA at UNSW College of Fine Arts. In 2017 Sophi started painting murals after a 14 year career in fashion. Her murals can be seen in America, Europe, South East Asia, Central America and Australia – and now in Dún Laoghaire!
Sophi presents her work in hope to celebrate the acceptance of cultural diversity, borderless minds, and the innocence of youth.
Sophi described her work for DLR Anseo in three words – embracing, night, and warmth. Titled ‘The Light Keeper’, it takes inspiration from the shelter and protection provided by the two light houses of Dún Laoghaire.
In summer 2021, a host of street artists arrived in Dún Laoghaire to turn the town’s streets into an open air canvas. The result was Dún Laoghaire Anseo which saw fifteen walls transformed by some stunning pieces of art that brightened the streets of the town. In 2022, ten more artists were invited back for Dún Laoghaire Anseo 2022. This year we have expanded across the county, bringing art not just to Dún Laoghaire but also to the walls of Dundrum, Deansgrange, Sallynoggin and Sandyford.
Meaning “here” in Irish, Anseo explores what makes our county a unique place. It’s our take on the essence of Dún Laoghaire-Rathdown, borrowing from its maritime heritage, its rich cultural history and reflecting themes of biodiversity.
Anseo brings together the best in contemporary street art, with a mixture of established, up-and-coming, and local artists, supported by Creative Ireland.
Liberty Lane is a short, narrow lane in Dublin, Ireland, running from Lower Kevin Street to Camden Row. It is located in the historic Liberties district, which was once home to many of the city’s working poor. Some people claim that the lane extended from all the way from Kevin Street to Portobello but I am not convinced that it ever did.
During online searches I have frequently seen this lane described as being a legal location for street art and it is implied that it is legal because property owners have given consent. However, my understanding is that property owners cannot give consent without planning permission.