The last time I photographed this I could not read the description as it had been painted over with graffiti … this time I could see that it was “Bushy” by Corban Walker. As I could not find any information online I decided that it could have been a 5G communications mast or a bee friendly structure.
In August 2022 I discovered that the seven metre tall structure is a “slender aluminium sculpture” with a “simple stacked cellular grid”.
I later came Dublin City Council’s description: “Corban Walker has created an elegant, large-scale work based on many configurations of a cellular grid.”
“The interplay between projecting and recessed sections of the sculpture will create a lively, joyful vision of simplicity that belies the complexity of its making. Standing at over 7 metres high, the minimalist work will enhance the reflective and meditative environment of the duck pond and assert itself as a distinctive new feature of the park.”
Bushy is the fourth of six new sculptures commissioned as part of Dublin City Council’s Sculpture Dublin initiative.
THIS SCULPTURE BY CORBAN WALKER IS BUSHY [IT IS LOCATED IN BUSHY PARK]-224760-1
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THIS SCULPTURE BY CORBAN WALKER IS BUSHY [IT IS LOCATED IN BUSHY PARK]-224758-1
THIS SCULPTURE BY CORBAN WALKER IS BUSHY [IT IS LOCATED IN BUSHY PARK]-224756-1
Statue of Anne Devlin and plaque in commemoration of the housekeeper of Butterfield House which Robert Emmet rented from 1803 onwards under the pseudonym of Robert Ellis and used for the planning of his rising. After the failure of the rising she suffered torture and imprisonment. The statue by sculptor Clodagh Emoe, was oficially unveiled by Mayor Maire Ardagh of South Dublin on the 4th of March 2004, the anniversary of Robert Emmet’s birth.
Clodagh Emoe initiates collaborative projects and creates works that explore how meaning is formed through our connection with each other and the natural world. Her practice draws on ritual to create moments or spaces that invite thought and instill agency. Her exercises, a term she uses to describe her event-based participatory works foreground experience and perception creating instances where ideas might be played out and felt.
Clodagh has initiated numerous collaborative projects; Mystical Anarchism (2009-2013) with philosopher Simon Critchley (Prof. of philosophy, New School for Social Research), Creating the Common/The Unveiling (2010) a theatrical event parodying a failed unveiling of a monumental sculpture in sheltered housing for the elderly, The Plurality of Existence… (2015-2017) public audio works for Dublin, Cork, Carlow and Galway and Crocosmia (2018) exploring metaphor through horticulture to cultivate inclusion and belonging with individuals seeking asylum.
Clodagh’s work has been commissioned by Serpentine Gallery, London; Taipei Biennial, Museum of Contemporary Art, Seoul; Nylo, Reykjavik; Documenta XIII, Kaisel; Visual, Centre for Contemporary Art, Carlow; Hugh Lane Municipal Gallery; Project Arts Centre; IMMA, Dublin and Maynooth University. She has been recently nominated for the David and Yuko Juda Award UK.
ANNE DEVLIN STATUE AT RATHFARNHAM VILLAGE [BY CLODAGH EMOE]-224771-1
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ANNE DEVLIN STATUE AT RATHFARNHAM VILLAGE [BY CLODAGH EMOE]-224761-1
There are two items and both combined are my favourite installation at Sculpture In Context 2023.
Icarus ignored Daedalus’s instructions not to fly too close to the sun, causing the beeswax in his wings to melt. Icarus fell from the sky, plunged into the sea, and drowned. The myth gave rise to the idiom, “fly too close to the sun.”
Catherine E Greene is an established figurative sculptor working in bronze and mixed media. Her versatile output ranges from large scale civic, to private commission and large exhibition pieces to smaller sculptures which explore the figure in the context of the sensual and often surreal world which they inhabit. Major commissions include the equestrian memorial of the patriot Thomas Francis Meagher in Waterford, the Memorial to the much loved comedian Dermot Morgan, Merrion Square Dublin; and the central Alterpiece sculpture of the crucified Christ in the new basilica Fatima Portugal.
Originally exhibited as part of the 1951 Festival of Britain, this sculpture shows a woman on a bended knee gathering, with the inscription ‘Thrift is the gleaner behind all human effort’.
A gleaner is someone who gathers something in small pieces (e.g. information) slowly and carefully. type of: accumulator, collector, gatherer. a person who is employed to collect payments (as for rent or taxes) someone who picks up grain left in the field by the harvesters.
Commissioned by the Ulster Savings Committee for the Festival of Britain, 1951. During the festival statue was displayed in the grounds of the Ulster Farm & Factory Exhibition at Castlereagh, Belfast. After the exhibition the statue was relocated to the grounds at Stormont. The Ulster Savings Committee also considered possibility of reproducing replicas to award to local Committees & Savings Groups of outstanding merit.
John Knox was born in Scotland sometime after 1910 and studied at the Glasgow School of Art, where he received a maintenance Scholarship in 1928. Knox was a member of the Glasgow School of Art club during his studies and exhibited sculptures with the Royal Scottish Academy of Painting, Sculpture and Architecture in 1930 and 1932. Knox relocated to Belfast in 1939 where he succeeded George MacCann as head of sculpture at the Belfast School of Art. Despite residing in Belfast for at least a decade, Knox did not exhibit with the Ulster Academy of Arts until 1949. Following this he exhibited sculptures at the Bangor Arts Committee exhibition in 1950, and at the Ulster Arts Club spring exhibition in the same year. Knox later became President of Ulster Arts Club from 1959-60.
In 1951 Knox was commissioned by the Ulster Savings Committee to carve a sculpture celebrating the Festival of Britain. Sculptors were called to submit a design to the committee, which included the head of the Belfast School of Art, Ivor Beaumont, the Director of the Belfast Museum and Art Gallery J. A. S. Stendall, Festival architect Henry Lynch-Robinson, and the well-known painter William Conor. Knox’s design consisted of a farm girl gleaning wheat in the old fashioned method of harvesting. During the Festival celebrations in Northern Ireland the sculpture, entitled The Gleaner, occupied a prominent position near the main entrance of the Ulster Farm and Factory exhibition – Belfast’s main Festival of Britain site – acting as a reminder of tradition and thrift alongside the aspirational farmhouse of the future, and reflecting the overall exhibition’s juxtaposition of rural traditions alongside modern industry. The Gleaner was carved by Knox in the stone yard of James Jamison & Son, a commercial sculpture firm based in Belfast. The statue is now situated in the grounds of Stormont Estate. Other works by Knox include a bronze plaque memorial for Belfast electrical engineer James S. Scott in 1949 (presumed destroyed) and a statue of King George V for Belfast’s King’s Hall in 1933.
THE SEARCHER BY ROSS WILSON – CS LEWIS SQUARE IN BELFAST
This sculpture by Northern Irish artist Ross Wilson is an inspired creation based on the character of Digory Kirke, who, in the Narnia story, ‘The Magician’s Nephew,’ features a wardrobe made from a beautiful apple tree which has special properties. It is through this magical wardrobe that the Pevensie children, Peter, Susan, Edmund and Lucy, enter Narnia and meet the talking animals and mythological creatures that populate that snowbound world. Modelled on CS Lewis as he was in 1919, the sculpture seeks in the words of the artist, to capture the “great ideas of sacrifice, redemption, victory, and freedom for the sons of Adam and the daughters of Eve” that lie at the heart of the ‘Chronicles of Narnia®.’
CS Lewis Square is located at the intersection of the Connswater and Comber Greenways, beside the EastSide Visitor Centre. The square features seven bronze sculptures from ‘The Lion, The Witch and The Wardrobe’, including Aslan, The White Witch, Mr Tumnus, The Beavers, The Robin and The Stone Table, it is an interesting display of public art.
Lewis wrote more than 30 books which have been translated into more than 30 languages and have sold millions of copies. The books that make up The Chronicles of Narnia have sold the most and have been popularised on stage, TV, radio, and cinema. His philosophical writings are widely cited by Christian apologists from many denominations.
The Lion, the Witch and the Wardrobe is a fantasy novel for children by C. S. Lewis, published by Geoffrey Bles in 1950. It is the first published and best known of seven novels in The Chronicles of Narnia (1950–1956). Among all the author’s books, it is also the most widely held in libraries. Although it was originally the first of The Chronicles of Narnia, it is volume two in recent editions that are sequenced by the stories’ chronology. Like the other Chronicles, it was illustrated by Pauline Baynes, and her work has been retained in many later editions.
Most of the novel is set in Narnia, a land of talking animals and mythical creatures that is ruled by the evil White Witch. In the frame story, four English children are relocated to a large, old country house following a wartime evacuation. The youngest, Lucy, visits Narnia three times via the magic of a wardrobe in a spare room. Lucy’s three siblings are with her on her third visit to Narnia. In Narnia, the siblings seem fit to fulfill an old prophecy and find themselves adventuring to save Narnia and their own lives. The lion Aslan gives his life to save one of the children; he later rises from the dead, vanquishes the White Witch, and crowns the children Kings and Queens of Narnia.
Lewis wrote the book for (and dedicated it to) his goddaughter, Lucy Barfield. She was the daughter of Owen Barfield, Lewis’s friend, teacher, adviser and trustee. In 2003, The Lion, the Witch and the Wardrobe was ranked ninth on the BBC’s The Big Read poll. Time magazine included the novel in its list of the 100 Best Young-Adult Books of All Time, as well as its list of the 100 best English-language novels published since 1923.
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