THE CLOCK TOWER IN THE WALLED GARDEN AT SAINT ANNE’S PARK
Today I used a Sony A7RIV with a 24-70mm lens.
The clock tower was built in 1850, based on the date of its bell. It is not shown on the 1843 Ordnance Survey.
It is a 4-storey brick tower with a giant bell (nearly 1.2 metres across), inscribed with Benjamin Lee‟s name and family motto, ‘Spes Mea in Deo’ (My Hope is in God). The tower has three floors and access to the first floor was via an external staircase (now removed) with internal ladders to the other floors. There is no enclosed ground floor as the tower forms the entrance to the former walled gardens.
The clock has one dial facing eastwards towards the house, black and gold-leaf Roman numerals and skeleton hands. It was made by James Booth of Dublin and was privately commissioned by the Guinness family (Murray, 2006). It is listed in the DCC Record of Protected Structures (Ref. No. 7738).
The walled garden, including a fruit garden added to the estate by Bishop Plunkett, holds a 12 acres (4.9 ha) plant nursery for the Parks Department. Thousands of bedding plants, shrubs, trees, and floral tubs are produced annually in the nursery. There is a herbaceous garden area open during limited hours, and a fine clock tower, restored to working order in 2007. Since 2009, Dublin City Council has provided public allotment gardens (allocated on a lottery basis) to meet the demand by city residents for space to grow their own produce.
The walled garden next to the house also contained many features, of which few traces remain. The garden was entered through a claire-voie screen of bronze, painted yew green and elaborately gilded. The centre walk of the garden consisted of a castellated yew hedge with marble statuary along its length. The walk terminated in a nymphaeum, flanked by obelisks of yew and featuring a sculpted group of Jupiter and Thetis.
Also in the walled house garden was an aviary with golden pheasants; a floral temple of arches and chains in cast iron; and a circular yew hedge with allegorical marble Italian statues representing the five continents, which were reflected in a great circular marble basin in the centre. The Georgian door-case of the original house Thornhill was also erected as an entrance of a French lavender garden.
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