THE FOLLIES OF ST. ENDA’S PARK THE STAIR TOWER OR TEMPLE
I have noticed that a few accounts refer, in error, to the Summerhouse as the Tower.
The folly by the Whitechurch stream is known as the Tower or the Temple. It is a decorative building with a practical purpose, an architectural device used to change levels from the lower path beside the pond to the upper path. Originally there was a third set of steps leading up to the rooftop viewing platform of the tower (now changed for safety reasons). During the renovation of the tower a lower/basement level was discovered that had contained a 19th pumping system which may have been used to pump water to the fountain in the nearby walled garden. From the far side of the stream there is a clear view of the different types of stone and the decorative way it is used on the building.
A Folly is a building constructed for, aesthetic pleasure, decoration on the landscape, entertainment, amusement and fun.
Throughout the late 18th and early 19th century follies were a fashionable addition to a garden or demesne. Major Doyne who was owner of the house in the 1860’s is said to have erected an obelisk in memory of the horse that carried him safely through battle in the Crimean war. Patrick Pearse moved his school, Scoil Éanna, to Rathfarnham in 1910 and seems to have been very taken with the idea of it being a ‘Hermitage’ and a retreat from the city, nestling in the foothills of the Dublin mountains.
The Hudsons actually went so far as to build a Hermit’s Cave, complete with mysterious arcane carvings and a secluded stone seat for contemplation. In June 1913 Pearse began a series of articles in the Irish Freedom newspaper which he entitled “From A Hermitage”. He began by saying “I have only two qualities in common with the real (or Imaginary) hermit who once lived (or did not live) in this place: I am poor and I am merry”. The articles were published monthly, with the final one appearing in January 1914. In them Pearse reflected on the current state of Ireland and what Irish people needed to do to obtain their freedom.
BREAKING EMMET’S BLOCK THE SCULPTURE OUTSIDE THE PEARSE MUSEUM
Breaking Emmets Block, a sculpture forged from polished concrete and steel is located outside The Pearse Museum at Grange Road, Rathfarnham.
The public artwork is approximately 2m high and 1m x 1.5m metres wide at the base. It is cast from coloured concrete around a steel armature and was designed by artist Alice Rekab and commissioned by South Dublin County Council, is a new focal point at the historic home and Irish language school of Patrick Pearse, the leader of 1916 Rising.
Ms Rekab explains: “Robert Emmets Block is of interest to me as it forms a joint site of both Emmets untimely execution and the historic signature table for the first Irish government bonds – symbolizing how we built upon revolutionary sacrifice to construct a new state for the Irish people. The Breaking Emmet’s Block sculpture acts as a contemporary continuation of both Pearse’s commemoration of heroes and the playful twist his pageantry brought to the romantic idealism that was so central to the culture of St. Enda’s.”
Ms Rekab says the materials bring “a futuristic twist to a brutalist aesthetic inspired by the monuments or Spomenik structures found across multiple commemorative sites in the former Yugoslavia.”
She explains that Robert Emmet’s Block “draws through lines between the socialist ideals of the Irish free state and their remnants in the contemporary Irish psyche”.
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