Francis Street in Dublin’s Liberties district underwent a significant regeneration project over a period of years, transforming the street into a more pedestrian-friendly and visually appealing destination. The project focused on enhancing the street’s public realm, improving accessibility, and introducing sustainable elements.
Widened Footpaths and Kerb Buildouts: Francis Street’s footpaths were significantly widened, creating a more spacious and inviting environment for pedestrians. Kerb buildouts were also added along the street, providing additional seating and visual interest.
Landscaping and Sustainable Drainage Measures (SUDs): The street was adorned with a variety of landscaping elements, including new trees, planters, and flowerbeds. These enhancements not only enhanced the aesthetics of the street but also contributed to its sustainability by absorbing rainwater and reducing surface runoff.
Improved Lighting and Street Furniture: The street’s lighting was upgraded with new, energy-efficient fixtures, providing better illumination and a more welcoming atmosphere. New street furniture, such as benches, bins, and signage, was also installed, contributing to the street’s overall aesthetic appeal.
Enhanced Pedestrian Crosswalks and Ramps: The project included the construction of raised pedestrian crossings and ramps, making it easier for people with disabilities and mobility issues to navigate the street safely.
Resurfacing and Traffic Management: The carriageway was resurfaced to provide a smoother and more durable surface for both pedestrians and vehicles. Traffic management measures were also implemented to reduce congestion and prioritise pedestrian movement.
Overall Impact: The regeneration of Francis Street has transformed the street into a vibrant and inviting destination, attracting more visitors and businesses to the area. The improved public realm, enhanced accessibility, and sustainable elements have further enhanced the street’s appeal and established it as a key part of Dublin’s cultural and historical landscape.
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Statue of Anne Devlin and plaque in commemoration of the housekeeper of Butterfield House which Robert Emmet rented from 1803 onwards under the pseudonym of Robert Ellis and used for the planning of his rising. After the failure of the rising she suffered torture and imprisonment. The statue by sculptor Clodagh Emoe, was oficially unveiled by Mayor Maire Ardagh of South Dublin on the 4th of March 2004, the anniversary of Robert Emmet’s birth.
Clodagh Emoe initiates collaborative projects and creates works that explore how meaning is formed through our connection with each other and the natural world. Her practice draws on ritual to create moments or spaces that invite thought and instill agency. Her exercises, a term she uses to describe her event-based participatory works foreground experience and perception creating instances where ideas might be played out and felt.
Clodagh has initiated numerous collaborative projects; Mystical Anarchism (2009-2013) with philosopher Simon Critchley (Prof. of philosophy, New School for Social Research), Creating the Common/The Unveiling (2010) a theatrical event parodying a failed unveiling of a monumental sculpture in sheltered housing for the elderly, The Plurality of Existence… (2015-2017) public audio works for Dublin, Cork, Carlow and Galway and Crocosmia (2018) exploring metaphor through horticulture to cultivate inclusion and belonging with individuals seeking asylum.
Clodagh’s work has been commissioned by Serpentine Gallery, London; Taipei Biennial, Museum of Contemporary Art, Seoul; Nylo, Reykjavik; Documenta XIII, Kaisel; Visual, Centre for Contemporary Art, Carlow; Hugh Lane Municipal Gallery; Project Arts Centre; IMMA, Dublin and Maynooth University. She has been recently nominated for the David and Yuko Juda Award UK.
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