I was beginning to lose sunlight so some of the images were underexposed.
George Petrie was born in Dublin, Ireland, and grew up there, living at 21 Great Charles Street, just off Mountjoy Square. He was the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He was interested in art from an early age. He was sent to the Dublin Society’s Schools, being educated as an artist, where he won the silver medal in 1805, aged fourteen.
After an abortive trip to England in the company of Francis Danby and James Arthur O’Connor, both of whom were close friends of his, he returned to Ireland where he worked mostly producing sketches for engravings for travel books – including among others, George Newenham Wright’s guides to Killarney, Wicklow and Dublin, Thomas Cromwell’s Excursions through Ireland, and James Norris Brewer’s Beauties of Ireland.
In the late 1820s and 1830s, Petrie significantly revitalised the Royal Irish Academy’s antiquities committee. He was responsible for their acquisition of many important Irish manuscripts, including an autograph copy of the Annals of the Four Masters, as well as examples of insular metalwork, including the Cross of Cong and Roscrea Brooch. His writings on early Irish archaeology and architecture were of great significance, especially his essay on the Round Towers of Ireland, which appeared in his 1845 book titled The Ecclesiastical Architecture of Ireland. He is often called “the father of Irish archaeology”. His survey of the tombs at Carrowmore still informs study of the site today.
From 1833 to 1843 he was employed by Thomas Colby and Thomas Larcom as head of the Topographical Department (the antiquities division) of the Irish Ordnance Survey. Amongst his staff were John O’Donovan, one of Ireland’s greatest ever scholars, and Eugene O’Curry. A prizewinning essay submitted to the Royal Irish Academy in 1834 on Irish military architecture was never published, but his seminal essay On the History and Antiquities of Tara Hill was published by the Academy in 1839. During this period Petrie was himself the editor of two popular antiquarian magazines, the Dublin Penny Journal and, later, the Irish Penny Journal. Another major contribution of Petrie’s to Irish culture was the collection of Irish traditional airs and melodies which he published in 1855 as The Petrie Collection of the Ancient Music of Ireland. The first commercial recording of Petrie’s collection was The Petrie Collection of the Ancient Music of Ireland (the 1855 Edition of 147 Airs & the 1882 Edition of 40 Airs) [2007, 8-cd set, Trigon TRD 1526, 187 tracks] arranged and performed by Irish pianist J.J. Sheridan. William Stokes’s contemporary biography includes detailed accounts of Petrie’s working methods in his collecting of traditional music: “The song having been given, O’Curry wrote the Irish words, when Petrie’s work began. The singer recommenced, stopping at a signal from him at every two or three bars of the melody to permit the writing of the notes, and often repeating the passage until it was correctly taken down …”.
As an artist, his favourite medium was watercolour which, due to the prejudices of the age, was considered inferior to oil painting. Nonetheless, he can be considered one of the finest Irish Romantic painters of his era. Some of his best work is in the collections of the National Gallery of Ireland, such as his watercolour painting Gougane Barra Lake with the Hermitage of St. Finbarr, Co. Cork (1831).
He was awarded the Royal Irish Academy’s prestigious Cunningham Medal three times: firstly in 1831 for his essay on the round towers, secondly in 1834 for the essay (now lost) on Irish military architecture, and thirdly in 1839 for his essay on the antiquities of Tara Hill.
MEETING OF THE ROADS [PETRIE – GILBERT – DUFFERIN – GREENVILLE]
This is a complicated junction in the Tenters area of Dublin 8 especially as Greenville Avenue connects to Petrie Road at two different locations.
The streets are Petrie Road, Gilbert Road, Greenville Avenue and Dufferin Avenue.
Some of this area was once part of the Greenville Estate and Farmlands and was described by the Irish Times in 1875 as the healthiest part of Dublin. Houses on Dufferin Avenue were constructed from 1899 to 1901, and it was once considered the most prosperous middle-class street north of the South Circular Road.
I still need to confirm that Dufferin Avenue is named after Frederick Hamilton-Temple-Blackwood, 1st Marquess of Dufferin and Ava but I am hoping that it is because of the following story:
Dufferin often told a tale of how he once saw a ghost which saved his life. Late one night in 1849, while staying in a house in Tullamore, County Offaly, Ireland, he heard a hearse draw up, and looked down and saw a man walking across the lawn carrying a coffin on his back. The man stopped and looked up at Dufferin and their eyes met for a moment, before he continued on into the shadows and disappeared. Dufferin thought the whole event might have been just a bad dream, but the next morning his hostess assured him that the next time he saw the apparition, he would die. Some years later Dufferin – by this point, the British ambassador to France – recognised the lift operator at the Grand Hotel in Paris as the man he had seen in the garden in Ireland. He refused to get into the lift and a moment later it crashed, killing the occupants including the mysterious man, who had only begun work at the hotel that morning.
I am assuming that Gilbert Road is named after John Thomas Gilbert. A History Of The City Of Dublin by John Thomas Gilbert was written between 1854-1859 in three volumes and is a highly detailed account of the history of his native city from earliest Viking times until the 19th century.
John Thomas Gilbert was the second son of John Gilbert, an English Protestant, who was Portuguese consul in Dublin, and Marianne Gilbert, an Irish Catholic, daughter of Henry Costello. He was born in Jervis Street, Dublin. His early days were spent at Branackstown, County Meath. He was educated at Bective College, Dublin, and at Prior Park, near Bath, England. He received no university training, as his mother was unwilling for him to attend Trinity College, Dublin – at that time the only university in Dublin. In 1846 his family moved to Blackrock, a Dublin suburb, where he resided until his death, fifty-two years later.
Aged nineteen, he was elected to the Council of the Celtic Society, and thus became associated with some of the famous writers and orators of the age: Butt, Duffy, Ferguson, Mitchel, O’Hagan, and Smith O’Brien. His essay “Historical Literature of Ireland” appeared in 1851, and four years later he became a Member of the Royal Irish Academy, and secretary of the Irish Celtic and Archaeological Society, whose members included O’Donovan, O’Curry, Graves, Todd, and Wilde. In 1862 he was awarded the Royal Irish Academy’s Cunningham Medal.
Taking on the most important posts in the historical and antiquarian societies, he became librarian of the Royal Irish Academy for thirty-four years. In 1891 he married the Irish novelist Rosa Mulholland. He received the honorary degree of LL.D. from the Royal University in 1892, and five years later was knighted for his services to archaeology and history.
The Gilbert Library, in Dublin’s Pearse Street, is named after him.
George Petrie was born in Dublin, Ireland, and grew up there, living at 21 Great Charles Street, just off Mountjoy Square. He was the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He was interested in art from an early age. He was sent to the Dublin Society’s Schools, being educated as an artist, where he won the silver medal in 1805, aged fourteen.
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