I used a Sony A7RII and a Zeiss Batis 24mm lens and it was lashing rain at the time – it rained for the duration of my visit.
When I photographed this in May 2016 I dd not know that it was Lacken Mill and did not pay much attention to it as I was focused on the well that is attached. At the time I thought that the well was a holy well.
The medieval origins of Lacken Mill, which stands across the River Nore, opposite Ormode Mill, remain visible today. Discoveries made in the 1980s revealed a medieval stone arch as well as a stone slab bearing an incised carving of a man in 16th century costume, part of the Archer’s coat of arms. The mill’s brick façade is also built on a 15th/16th century structure. In the 19th century, the Sullivan family, who lived in Lacken Hall and owned the Brewery on James’ Street, renovated the mill, bringing it up to 19th century standards.
A well-composed large-scale building forming an important element of the long-standing industrial legacy of Kilkenny occupying a site that has had associations with milling for many centuries: a mill is identified as having operated on site as early as the fourteenth century. Although having fallen into ruins the composition survives substantially intact as identified by the regular pattern of openings across each elevation with the mill presenting a picturesque feature of some Romantic quality overlooking the River Nore.
The inscription over the doorway leading to the well reads “Lacken Well, Altered and Improved, July 1831.”
THE CEMETERY OF ST PETER AND PAULS CATHEDRAL IN TRIM
Visit the cemetery of St. Peter and Paul`s Cathedral you will discover an impressive altar tomb dating from around 1592. The tomb known locally as “the Jealous man and Woman” is the resting place of Sir Lucas Dillon and his wife Lady Jane Bathe. In reality the tobm could be better described as being what is left of Newtown Clonbun Parish Church.
Sir Dillon was a leading Irish Barrister and judge during the Elizabethan era. He held the offices of Attorney General for Ireland and Chief Baron of the Irish Exchequer. He was held in high regard by the Crown and Queen Elizabeth was said of think highly of him. However there were many accusations of corruption and claims that he handled some of his work carelessly.
Why the tomb became known as ‘the jealous man and woman” remains a mystery. However, Dillon`s second wife Marion Sherle is buried in an identical tomb with her first husband Christopher Barnwell at Lusk, Co. Dublin. Locals believe that perhaps one of the tombs was built as a jealous response to the other tomb. Who was jealous of who remains uncertain. The most intriguing folklore surrounding the tomb remains its unusual curative power for warts.
Locals believe that if you stroke a wart with a pin or needle and leave it in the tomb the wart will disappear as the pin rusts. Be warned though, if you take somebody elses pin off the tomb for your own use youll not only keep your warts but youll inherit the warts of the pins rightful owner.
Newtown Abbey is located about 1.2 km (¾ mile) east of Trim town centre, on the north bank of the Boyne. The main building is the Church of St Peter and St Paul (sometimes called a cathedral). The abbey church features lancet windows, with Norman-style sedilia to the right of the altar, and a double piscina for washing communion vessels. A smaller church in the east of the monastery is the parish church of Newtown Clonbun. This is the burial site of Lucas Dillon (1530 – 1592), Attorney General for Ireland and Chief Baron of the Irish Exchequer, and his first wife Jane Bathe. Their tomb effigies are separated by a sword of state, and so they gained the local nickname of the “jealous man and woman”.
THE TOMB OF THE JEALOUS MAN AND WOMAN AND A CURE FOR WARTS [THE CEMETERY OF ST PETER AND PAULS CATHEDRAL IN TRIM]-226395-1
THE TOMB OF THE JEALOUS MAN AND WOMAN AND A CURE FOR WARTS [THE CEMETERY OF ST PETER AND PAULS CATHEDRAL IN TRIM]-226393-1
THE TOMB OF THE JEALOUS MAN AND WOMAN AND A CURE FOR WARTS [THE CEMETERY OF ST PETER AND PAULS CATHEDRAL IN TRIM]-226394-1
THE TOMB OF THE JEALOUS MAN AND WOMAN AND A CURE FOR WARTS [THE CEMETERY OF ST PETER AND PAULS CATHEDRAL IN TRIM]-226396-1
I WAS REALLY DISAPPOINTED AS IT CLOSED FIVE MINUTES BEFORE I ARRIVED
The castle was built as the manorial residence of the first Anglo-Norman Archbishop of Dublin, John Comyn, around 1200 or a little later in Swords, just north of Dublin. The castle was never strong in the military sense, but is unusual in that the perimeter wall of 305 metres is far larger than normal for an Irish castle. The walls enclose a large pentagonal walled area of nearly 6,000 m2 (1.5 acres) with a tower on the north, probably the Constable’s residence, and an impressive gateway complex on the south. Within the castle were the archbishop’s apartments, apartments for knights and a banqueting hall. The warder may have occupied the quarters to the left of the gate, while to the right was the janitor’s room with the priest’s room overhead. The adjoining chapel, built in the late 13th century, was probably used as the archbishop’s private oratory. Other buildings, recorded for an inquisition in 1326, have now vanished, including the great hall on the east side of the enclosure.
I could no think of anything new to say about this bridge so I asked Google’s BARD AI why do so many people photograph the Halfpenny Bridge and it replied as follows [it made at least one major error]:
There are many reasons why people photograph the Ha’penny Bridge. Here are a few of them:
It is a historic landmark. The bridge was built in 1816 and is one of the oldest bridges in Dublin. It is also the only pedestrian bridge across the River Liffey in the city center [Note: not true].
It is a beautiful structure. The bridge is made of cast iron and has a graceful arch. It is a popular subject for photographers, especially at sunset or sunrise.
It is a popular tourist destination. The bridge is located in the heart of Dublin and is easily accessible. It is a must-see for many visitors to the city.
It is a symbol of Dublin. The bridge is often used to represent Dublin in photographs and paintings. It is a reminder of the city’s history and culture.
It is a romantic spot. The bridge is a popular place for couples to take photos. It is said that if you lock a love lock on the bridge, your love will be eternal.
No matter the reason, the Ha’penny Bridge is a iconic landmark that is sure to capture the attention of any photographer.
Here are some other reasons why people might photograph the Ha’penny Bridge:
To capture the hustle and bustle of city life. The bridge is a busy crossing point and is often full of people, making it a great place to capture the energy of the city.
To create a visual metaphor. The bridge can be used to represent a variety of concepts, such as love, unity, or change.
To simply enjoy the beauty of the bridge. The bridge is a visually striking structure and can be enjoyed simply for its aesthetic qualities.
My Grandmother always referred to this as St. Michaels Hill but my father referred to it as Winetavern Street and until recently I also referred to it as Winetavern street because that was what on any map that I had seen.
However, about three years ago, I noticed a street sign under the arch at Christ Church Cathedral indicating that it is St. Michael’s Hill.
After some research I discovered that the left hand side [East] of the street heading towards the river is St. Michael’s Hill while the other side of the street is Winetavern Street. To make things even more complicated St. Michael’s Lane was originally Christchurch Lane.
In the 17th century, taverns on Winetavern Street included the Whitehorse the Golden Lion and the King’s Head and all are long gone.
Christ Church Cathedral, more formally The Cathedral of the Holy Trinity, is the cathedral of the United Dioceses of Dublin and Glendalough and the cathedral of the ecclesiastical province of the United Provinces of Dublin and Cashel in the (Anglican) Church of Ireland. It is situated in Dublin, Ireland, and is the elder of the capital city’s two medieval cathedrals, the other being St Patrick’s Cathedral.
The cathedral was founded in the early 11th century under the Viking king Sitric Silkenbeard. It was rebuilt in stone in the late 12th century under the Norman potentate Strongbow, and considerably enlarged in the early 13th century, using Somerset stones and craftsmen. A partial collapse in the 16th century left it in poor shape and the building was extensively renovated and rebuilt in the late 19th century, giving it the form it has today, including the tower, flying buttresses, and distinctive covered footbridge.