THE STATUES ARE BACK AT THE SHELBOURNE HOTEL
Until today I did not get the opportunity to photograph these statues which were returned to their plinths on the 14th December 2020.
The Shelbourne Hotel is a historic hotel in Dublin, Ireland, situated in a landmark building on the north side of St Stephen’s Green. Currently owned by Kennedy Wilson and operated by Marriott International, the hotel has 265 rooms in total and reopened in March 2007 after undergoing an eighteen-month refurbishment.
A major redesign by John McCurdy was completed in 1867, with the Foundry of Val d’Osne casting the four external caryatid style torchère statues. These were based on two repeated beaux-arts neoclassical models originally sculpted by the prolific French sculptor Mathurin Moreau entitled Égyptienne – the two female Ancient Egyptian figures flanking either side of the front door, and Négresse – the two female ancient Kushite (Nubian) figures flanking either corner of the main building.
All four statues are wearing gold coloured anklets, and are draped, with jewellery picked out in gilt while supporting a torch with a frosted glass flambeau shade. All four statues are on a circular base with a further square metal plinth with cartouches to the angles indicating royal descent.
In feint writing at the front of the circular base of all four statues can be seen the name of the foundry which produced the statues Val d’Osne. Of the several other examples of the castings, the most notable can be seen in the porch of the hôtel de ville (town hall) in the French town of Remiremont as well as outside the mausoleum of the architect Temple Hoyne Buell in Denver, Colorado and in the Jardins do Palácio de Cristal in Porto. In all three cases the door is flanked either side by one Égyptienne and one Négresse statue indicating parity.
In July 2020, the statues at the front of the building were removed by management as a precautionary response to the toppling and removal of statues following on from the killing of George Floyd and Black Lives Matter protests. This move resulted from the belief that either two or all four of the statues represented Nubian slaves shown in manacles.
Both histories of the hotel, that of 1951 by Elizabeth Bowen and that of 1999 by Michael O’Sullivan, state that two of the statues represent slaves or servants, with Bowen stating “on each stands a female statue, Nubian in aspect, holding a torch shaped lamp”. Kyle Leyden, an art historian at the University of London, argued that none of the statues are of the established “Nubian slave” type, and that all four figures wear anklets indicating aristocratic status, rather than shackles.
After an examination by Paula Murphy, an art historian at University College Dublin, concluded that the statues were not representations of slaves, it was announced that they would be restored to their plinths. After being cleaned, they were reinstalled on the night of 14 December.
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