Sophi Odling is an Australian artist who paints large-scale murals around the globe. Her work focuses on the beauty amongst the chaos in our everyday lives. The vivid narratives reflect human behaviours, environments, and cultures that she encounters.
Born in 1983 in Seoul, South Korea, Sophi grew up in Sydney, Australia, where she currently lives and works. In 2005 Sophi completed her BFA at UNSW College of Fine Arts. In 2017 Sophi started painting murals after a 14 year career in fashion. Her murals can be seen in America, Europe, South East Asia, Central America and Australia – and now in Dún Laoghaire!
Sophi presents her work in hope to celebrate the acceptance of cultural diversity, borderless minds, and the innocence of youth.
Sophi described her work for DLR Anseo in three words – embracing, night, and warmth. Titled ‘The Light Keeper’, it takes inspiration from the shelter and protection provided by the two light houses of Dún Laoghaire.
In summer 2021, a host of street artists arrived in Dún Laoghaire to turn the town’s streets into an open air canvas. The result was Dún Laoghaire Anseo which saw fifteen walls transformed by some stunning pieces of art that brightened the streets of the town. In 2022, ten more artists were invited back for Dún Laoghaire Anseo 2022. This year we have expanded across the county, bringing art not just to Dún Laoghaire but also to the walls of Dundrum, Deansgrange, Sallynoggin and Sandyford.
Meaning “here” in Irish, Anseo explores what makes our county a unique place. It’s our take on the essence of Dún Laoghaire-Rathdown, borrowing from its maritime heritage, its rich cultural history and reflecting themes of biodiversity.
Anseo brings together the best in contemporary street art, with a mixture of established, up-and-coming, and local artists, supported by Creative Ireland.
I am a bit disappointed with the photographs and I cannot determine what caused the lens not to focus correctly.
In December 2022 the people of Dun Laoghaire witnessed the re-opening of the Dún Laoghaire Baths and it was a significant milestone for the Council and the people of the town. This well-known landmark has been an important part of the history and heritage of families all over the County.
The works included the refurbishment of the baths pavilion, the construction of a new 35m jetty with built in seating, the installation of the Roger Casement statue, a simple changing shelter, the refurbished Edwardian gazebo in the beach garden and a new walkway from Newtownsmith.
The former pavilion building has also been substantially refurbished to provide studio space for artists, as well as a gallery and a café with a spectacular view of Scotsman’s Bay. The café will have a terrace outside which will link across to the People’s Park as well as down to the sea. The pavilion building and café is now operational. There are also toilet facilities, including a “changing places” bathroom, which is for people with additional needs.
The finished results are the culmination of 12 years work at the site. The work has encompassed different phases – the design phase, the preparation of tender drawings and construction phase, which took five years to complete. Significant structural work was required to underpin and stabilise the main building when extensions were removed and to restore walls along the embankment at Queens Road. Additional challenges included the rocky coastline and proximity to the sea.
There are plans for a new walkway between Dún Laoghaire’s East Pier and the Dún Laoghaire Baths in 2023. The original plans did not include a swimming pool, but a future phase of development on the site can include an open seawater pool, subject to approval. During the construction, a rectangular concrete void was left below the surface of the amphitheatre area, with a concrete “lid” covering it, allowing for the inclusion of a tidal pool.
The project was mainly funded by Dún Laoghaire-Rathdown County Council with a contribution by the European Regional Development Fund. Final costs are estimated to be in the region of €18 million. There was an increase in the cost due to the significant structural work required to underpin and stabilise the main building and to restore walls along the embankment at Queens Road as well as the construction of the jetty.