The Nikon-RED acquisition has potential to significantly impact Sony’s position in the professional cinema camera market. Here’s why:
Increased competition: Sony has enjoyed a strong position in the cinema camera market with its successful VENICE line of cameras. Nikon, now armed with RED’s technology and expertise, becomes a serious competitor. For Sony, this means more pressure to innovate and remain ahead in terms of features and performance.
Potential loss of market share: Filmmakers and production houses always look for the best tools for their projects. If Nikon and RED produce compelling new cinema cameras, they could attract cinematographers who might have previously chosen Sony.
Pricing wars: Increased competition can potentially lead to price adjustments. If Nikon and RED offer competitive pricing for its new camera line, Sony might have to adjust to stay relevant.
Stimulated innovation: Competition is good for the industry. Sony might accelerate its research and development efforts to counter the new Nikon-RED powerhouse, ultimately benefiting filmmakers with new and improved technology across the board.
How significant the impact will be depends on several factors:
The quality and capabilities of Nikon/RED cameras: If they outperform Sony, there could be a marked shift in market dynamics. Market reception: How filmmakers, studios, and rental houses respond to the new products will be crucial. Sony’s response: How quickly and effectively Sony can counter the competition with innovations of its own.
Overall: It’s too early to predict the exact scale, but Nikon’s acquisition of RED is likely to shake up the professional cinema camera landscape. Sony will have to adapt and keep pushing boundaries to maintain its dominance.
DID YOU KNOW THAT YOU CAN VISIT THE SAINT HERE IN DUBLIN
Throughout the centuries since Valentine received martyrdom there have been various basilicas, churches and monasteries built over the site of his grave. Therefore, over the years, many restorations and reconstructions took place at the site. In the early 1800’s, such work was taking place and the remains of Valentine were discovered along with a small vessel tinged with his blood and some other artefacts.
In 1835 an Irish Carmelite by the name of John Spratt was visiting Rome. Apparently his fame as a preacher had gone before him, no doubt brought by some Jesuits who had been in Dublin. The elite of Rome flocked to hear him and he received many tokens of esteem from the doyens of the Church. One such token came from Pope Gregory XVI (1831-1846) and were the remains of Saint Valentine.
On November 10, 1836, the Reliquary containing the remains arrived in Dublin and were brought in solemn procession to Whitefriar Street Church where they were received by Archbishop Murray of Dublin. With the death of Fr Spratt interest in the relics died away and they went into storage. During a major renovation in the church in the 1950s/60s they were returned to prominence with an altar and shrine being constructed to house them and enable them to be venerated. The statue was carved by Irene Broe and depicts the saint in the red vestments of a martyr and holding a crocus in his hand. Hand-painted replicas of this statue are available in our Church Shop.
Today, the Shrine is visited throughout the year by couples who come to pray to Valentine and to ask him to watch over them in their lives together. The feast-day of the saint, February 14, is a very popular one.
Throughout the centuries since Valentine received martyrdom there have been various basilicas, churches and monasteries built over the site of his grave