On Tuesday I travelled by bus from Limerick University Campus to Mount St Lawrence Cemetery but the bus was diverted because of a very large funeral which could be described as “traditional” and I decided that it would better to return the next day. The weather forecast for Wednesday was not good, with rain predicted, but when I awakened early in the morning the weather was beautiful so I decided to walk to the cemetery and to bring a 15mm manual Voigtlander lens which explains why some of the images are distorted. As a matter of interest I use a Zeiss Batis 25mm lens when I visited in 2019 and I think that the images were slightly better.
As of August 20th 2013, Mayor of Limerick Kathleen Leddin launched an online database which holds information on the 70,000 buried in the graveyard, dating from 1855 to 2008. This database will contain information such as the names, addresses, times of death, position of graves, ages and dates of deaths of those buried in Mount St. Lawrence. This will contribute greatly to the city and surrounding areas. The city can use the information on the records to give accurate figures on the mortality rate, for example. It will also help to discover what the problems were in the hospitals of Limerick back in those times and why the death rate was so high.
Cemeteries in Limerick began to fall under immense pressure due to cholera epidemics in the 1830’s and the Great Famine in the 1840’s. This led to the founding of Mount St. Lawrence cemetery. Originally it formed part of the larger medieval parish of St. Lawrence in Limerick. This parish also contained a leper hospital, granted by King John, which was later returned to Limerick Corporation. They then leased some of the land to the Limerick Diocese for use as burials grounds. Mount St. Lawrence was officially opened on March 29th 1849 in a ceremony presided over by Dr John Ryan, Bishop of Limerick at this time.
The Neo-Gothic Church was designed as a mortuary chapel by architects M & S Hennessy, who also designed the tall spire of St. John’s Cathedral, which is now a notable point in Limerick City. It was designed in Celtic and Gothic Revival styles with an Arts and Crafts influenced interior. Mount St Lawrence graveyard was the primary place of burial in Limerick City for all members and classes of society, from the wealthy and powerful to those poverty stricken.
Mount Saint Lawrence has always contained plots reserved for certain groups, for example, religious graves, diocesan graves and a Republican plot.
On the 29 March 1849 Mount Saint Lawrence Cemetery was opened on an 18 acres site on Mulgrave Street to alleviate the overcrowded city graveyards. From 1849 until 1979 the cemetery was run by the Catholic Church and in 1979 it was taken over by Limerick City Council and the day to day running of the Cemetery is by the Environment Department.
Mount Saint Lawrence Cemetery was the primary place of burial in Limerick for all strata of society, from the wealthy to those who died in the Lunatic Asylum and Workhouses. The more prominent families tended to be buried along the central path close to the chapel. The ‘Poor Squares’ were located at the top of the cemetery at the left hand corner and in the bottom right corner.
Burial Records date from March, 1855 and the Burial Register records that over 70,000 individuals have been interred in Mount Saint Lawrence, up to 2009. The oldest individual recorded in the register is Mary Keane of Thomondgate, buried on 24th January, 1880 at the age of 110.
ALONG SHANDON STREET FROM FARREN’S QUAY TO CATHEDRAL STREET
Shandon Street,formerly known as Mallow Lane, is a street in the Shandon area of Cork City, Ireland and is a retail area on the North-Side of Cork city.
The area was originally developed by the Normans, as a route to the north gate of the city, and rose in prominence due to its proximity to Shandon Castle, the administrative centre of the province of Munster. The area was heavily damaged during the 1690 Siege of Cork, but subsequent rebuilding saw the erection of the landmark St. Anne’s Church. The North Cathedral was also erected at the top of Shandon Street in 1624. The present day structure, however, is the fifth church to occupy the site; churches have been rebuilt there numerous times, most recently following an 1820 fire. Commercial activity at this time included a regular cattle market, where large numbers of animals were exported to the West Indies, eastern US, Britain and Canada.
In response to a 1582 famine and outbreak of plague, Stephen Skiddy, a Master Vintner, willed funds to build a number of almshouses in the city. One such almshouse, built in the 18th century and referred to as Skiddy’s Almshouse, is still standing adjacent to Shandon Street.
The 18th century saw the development of the Butter Market in response to the penal laws, which indirectly encouraged commercial ventures among wealthy Catholic families. This led to the foundation of the Committee of Butter Merchants, who, in 1770, instated the inspection of butter exports. The increasing butter trade resulted in Shandon Street becoming an important international trading centre, and a focal point within the city. There was a notable diversity in standards of living in the area, with wealthy retailers living directly on the street, and many tenement halls on the numerous adjoining streets.
The closure of the Butter Market in 1924 due to competition from continental Europe led to a period of decline in the area. Modern attempts at reversing the decline include the 2004 Shandon Area Renewal Scheme, which saw some redevelopment of Shandon Street. This €15m scheme included the renewal of paving and the replacement of derelict buildings with infill housing.
The Duck pond in the Castle Park is a wildfowl sanctuary for Ducks, little Grebe, Waterhens, Coots and the occasional Swan. The duck pond trail is a 0.2 mile (431-step) route with an elevation gain of about 0 ft and is rated as easy.
There was a thunder storm ongoing at the time I photographed this somewhat isolated sculpture.
I have seen it named “Anchored Void” as well as “Void Anchored” and I did not know that it existed until I discovered it while exploring a less visited area of Kilkenny Castle grounds.
Michael Warren (born 1950 in Gorey, County Wexford, Ireland) is an Irish sculptor who produces site-specific public art.
Inspired by Oisín Kelly, his art teacher at St Columba’s College, Michael Warren studied at Bath Academy of Art, at Trinity College, Dublin and, from 1971–75, at the Accademia di Brera in Milan. He now lives and works in Co. Wexford.
He has a number of very visible works in Ireland, including the large sweeping wood sculpture in front of the Dublin Civic Offices. Wood Quay, where the civic offices stand, was the centre of Viking Dublin and the sculpture evokes the form, and the powerful grace, of a Viking ship. It also reflects vertically the horizontal sweep of the nearby Liffey as it enters its bay. A complex balance of meanings matching a delicate, though massive, balance of substance is typical of his work. Warren himself describes the useful ambiguity of abstraction (Hill 1998)
With Roland Tallon he created Tulach a’ tSolais (Mound of Light), a memorial to the 1798 rebellion. Here, a room was hollowed out of a small hill; the room contains two abstract curved oak forms and is illuminated by natural light falling through a long slot in its ceiling and walls. Despite the unusual and abstract constitution of this memorial and despite the fraught political resonance of the rebellion, Tulach a’ tSolais is popular and something of a local attraction. His Gateway in Dún Laoghaire was less popular with some local people and it was eventually removed and returned to the artist.
At the northern entrance to the village of Leighlinbridge, County Carlow, is a sculpture by Michael Warren, depicting the thrones of the ancient seat of the Kings of South Leinster at Dinn Righ (The hill of the Kings). The Kings of Leinster lived near the village.
The sculpture is named Cainneach (Saint Canice – patron of Kilkenny) and it was made by Spanish sculptor Saturio Alonso in 1999.
I think that I saw it at a different location when I visited Kilkenny a few years ago. I could be wrong but I believed that it was located outside a bank on Parliament Street the first time I saw it and it was a water feature.
It is now located on Vicar Street at the bottom of the steps leading to St. Canice’s Cathedral.
Born in Spain (1954) and a resident in Ireland, Saturio Alonso is a sculptor with a background as a painter and graphic designer. Attracted by the puzzling and compelling relationships between technology and biology, Saturio Alonso uses a variety of prefabricated industrial materials, combined with more traditional ones, such as stone and wood, to create his sculptures.
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